Introduction to the QM35 issue by Maria-Àngels Roque, Editor-in-Chief of the journal.
L’évolution de la notion de société civile en Tunisie est très liée à la figure du sociologue et penseur Abdelkader Zghal (1931-2015).
While in common usage civil society is defined as a realm of social interaction that is autonomous from state control, it remains a vague and contested concept.
Remembering the twenty years since the 1st Euro-Mediterranean Ministerial Conference, held in Barcelona in late 1995, is undoubtedly an exercise in reflection more than a motive for disappointment or dejection.
What it truly means to be a journalist is one of the most pressing questions that countries affected by the Arab Spring have had to face.
Long before the Arab Spring, it had already been repeatedly pointed out that youth constitute the largest part of the population in the Arab world, and that this established fact should be taken into account as a key political feature of the region....
The meeting is part of the 20th anniversary of the Barcelona Process, the ongoing consultation on the revision of the ENP, and responds to the growing importance assigned to intercultural and interreligious dialogue in the Euro-Mediterranean region.
The IEMed is programming a new series of concerts with the aim of bringing the music, songs, instruments and sounds characteristic of various Mediterranean peoples and cultures closer to the public.
En un intento por contrarrestar los tópicos sobre los árabes, productores y guionistas americanos terminan por reforzar involuntariamente los estereotipos.
Los jóvenes de la región MENA se concentran en el sector informal y con trabajos temporales, lo que provoca una fuga de cerebros.
¿Existe un creciente chií? ¿Cuáles son los objetivos de Irán? Con la expansión del grupo Estado Islámico, ¿la convivencia chiíes-suníes en la región MENA se verá afectada?
Pasado-presente, anticolonialismo-modernismo, Occidente-Oriente son binarios del cine árabe, que se debate entre asimilación y rechazo de los mensajes orientalistas.
Desde 2001, Hollywood ha recurrido al realismo, la historia y la personificación para incorporar un discurso de victimización y trauma en sus películas.
